Geometrics and textures in Black and White [ Spiratone 18mm f/3.5 @ f/5.6, a.k.a., Sigma Widerama ]
A Silver-spotted Skipper butterfly on an Eastern Purple Coneflower [ Zenza Bronica 100-220mm f/4.8 PE ASPH @ 200mm - f/11 ]
A Yashica TL Electro X ITS w/ a multi-coated M42-Mount DS-M 50mm f/1.4 [ Zeiss Vario-Sonnar 35-70mm f/3.5 @ 35mm Macro, f/11 ]
The pull and push of twisted wires - Color version [ M42 Auto Mamiya/Sekor 200mm f/3.5 @ f/5.6 ]
The pull and push of twisted wires [ M42 Auto Mamiya/Sekor 200mm f/3.5 @ f/5.6 ]
The 'Before' [Left] and 'After' [Right] comparison in LightRoom, while trying to recover a shot suffering from corner-to-corner ve…
Common Sparrow sitting on a wire [ Zeiss Vario-Sonnar 80-200mm f/4, @ 200mm, f/5.6 ]
Budding leaves from the Vitis Riparia Michx, a.k.a., Frost Grape or Riverbank Grape [ Zeiss Vario-Sonnar 80-200mm f/4 @ f/5.6 ]
A leaf from the Vitis Riparia Michx, a.k.a., Frost Grape or Riverbank Grape [ Zeiss Vario-Sonnar 80-200mm f/4 @ f/5.6 ]
A leaf edge from the Vitis Riparia Michx plant, a.k.a., Frost Grape or Riverbank Grape [ Zeiss Vario-Sonnar 80-200mm f/4 @ f/5.6…
Abandoned to the outdoors, a weather beaten weight bench backrest splits open and creates a micro-landscape [Yashica ML 21mm f/.3.…
A so-called Tomioka produced version of the Spiratone Minitel 500mm Reflex Mirror lens [ Zeiss Vario-Sonnar w/ Mutar I @ f/8 Macro…
A diminutive and ultra-lightweight pancake lens for Contax in C/Y Mount [ Zeiss Vario-Sonnar 35-70mm @ f/8 - 35mm Macro ]
A rare and limited production lens, designed and built by Mamiya for Nikon's Nikkorex F 35mm SLR body [ Zeiss Vario-Sonnar 35-70mm…
A rare-ish Yashica ML 21mm f/3.5 {Zeiss Vario-Sonnar 35-70mm @ f/8 - 35mm Macro ]
Two generations of the Yashica FX series camera bodies, with both early (chrome-edged) and late (all black) version lenses [ Zeiss…
Sample photo from a Spiratone Minitel 500mm Mirror lens at f/8, w/heavy post processing in LightRoom. Aproximate distance: 150 fee…
Sample photo from a Spiratone Minitel 500mm Mirror lens at f/8. Desaturated in LightRoom w/heavy post processing. Aproximate dista…