Final rendering, complete with micro-displacement mapping and fully textured.
Smoothed version of quad mesh model, and test rendered in Carrara using an HDRI lighting setup with AO (ambient occlusion).
Completion of a set of basic non-smoothed meshes in the modeling stage, using only quad faces. Rendered in Carrara with a simple w…
Original vertex mesh model, buildings, props and terrain - created and rendered in Carrara using a custom 'Mars' HDRI light probe.
Original vertex mesh model - created and rendered in Carrara.
A screenshot of a 3D female figure in Modo 601. This is a 3D high polygon 'Quad' model undergoing setup for bones, figure morphs,…
A film-based medium format Bronica zoom lens adapted with a conventional dumb adapter for digital use on an APS-C cropped body.
A fresh six inch snowfall meets swift spring-fed water. [ LOMO Digital - Polaroid i830 DigiCam from 2007 - w/ 1/2.5" sensor, 8.3M…
Newly opened Crabapple buds [ M42 Auto Mamiya/Sekor 55mm f/1.4 ]
Chicory plant, with intense purple pollen [ Konica Hexanon AR 135mm f/3.2 ]
Yellow Daylillies [ Konica Hexanon AR 135mm f/3.2 ]
Yellow Daylillies [ M42 Auto Mamiya/Sekor 200mm f/3.5 ]
Out for a walk, in Black & White [ Konica Hexanon AR 200 mm / F3.5 ]
Bringing a book to the dog park for a bit of light reading [ AF Nikkor 24-120mm f/3.5-5.6 ]
Several fresh yards of top soil needs leveling and seeding [ AF-S Nikkor DX 18-55mm f/3.5-5.6G VR ]
Eastern Yellowjacket gathering wood fibers for a nest [ Konica Hexanon AR 50mm f/1.7, handheld at f/5.6 ]
First tulips of 2016 in red [ Konica Hexanon AR 200 mm / F3.5, at 5.6 ]
A fully working '73 Black paint Nikkormat FTn w/ 1980 Nikkor 50mm AI f/1.8 - [ M42 Auto Sears 55mm/1.4, at f/5.6 ]
The same test shot, after a bit of post processing and cropping, microcontast adjustment, and color push.